In a world where dreams often yield to practicality, Mori Tiomuyco is a testament to the saying: "It is never too late to be what you want to be." With an unwavering determination and an artistic soul that defies convention, this 33-year-old Folk Art Surrealist from Valenzuela City has crafted a visual narrative that transcends the ordinary.
Mori's artistry is a realm where reality fuses with myth, where lines and patterns intertwine to breathe life into her subjects. A third eye, symbolic of "inner vision and enlightenment," adorns the foreheads of her characters. A nod to the mystical and the unseen, it beckons viewers to question what lies beyond the tangible.
Her artistic odyssey began in the pages of myths and legends that captivated her as a child. From those stories, she drew creative inspiration and a connection to her Philippine heritage. This strong bond with her cultural roots is evident in her meticulous incorporation of baybayin, a pre-colonial Philippine script, into her work. She weaves a tapestry that bridges past and present, breathing life into forgotten traditions.
Mori's artistic calling was challenging. Raised in a family of artists, she was urged to follow a more traditional path. However, her heart yearned for the canvas, the brush, and the limitless world of creativity. Mori overcame societal skepticism and familial expectations and embraced her lifelong dream of becoming an artist. Her story is one of persistence and the power of believing in oneself.
To experience Mori's spellbinding creations is to journey into a realm of dreams and realities intertwined. Her art challenges perceptions, inviting viewers to reconsider what they know and see. To witness her work is to embark on a visual adventure guided by her masterful interplay of lines, patterns, and symbolism.
